Concert and Contest Woodwind Music

This witty and comical saxophone ensemble combines the exhilarating melodies of Flight of the Bumblebee and Für Elise. Watch your ensemble take flight as they navigate lightning-fast

Continue your jolly holidays with this second collection of Christmas carols for woodwind quartet! Expertly arranged for maximum holiday cheer, these are sure to bring joy to any

Continue your jolly holidays with this second collection of Christmas carols for saxophone quartet! Expertly arranged for maximum holiday cheer, these are sure to bring joy to any audience!

Celebrate the holidays with this assortment of Christmas carols for woodwind quartet expertly arranged for maximum holiday cheer!

Bach's famous air skillfully for woodwind quartet. This arrangement was created with the help of a contribution from the Music Investment Fund, an initiative of Buma/Stemra in cooperation with Voie, the

Bach's famous Air arranged skillfully for saxophone quartet. This composition was created with the help of a contribution from the Music Investment Fund, an initiative of Buma/Stemra in cooperation

Humoresque was conceived as musical play on many of the stereotypical roles of the bassoon in traditional Western European Art Music. From buoyant, lighthearted melodies to thick, dramatic

Celebrating the tiny subatomic particles that are, in essence, the building blocks of matter, this whimsical and introspective piece is divided into three sections: the main "dance" theme; a middle

Commissioned by the Blue Ridge Bassoon Quartet (Richard Meek, Andrew Witherington, Yvonne Kershaw, and Carol Bernstorf), Millennium Fantasy is an adventure through time. This piece rotates between

The contrabassoon octet version of this piece was created for the legendary Contraband ensemble that performs annually at the International Double Reed Convention. Typically conducted by the incomparable

Flashpoint was written for Bassoons Across Nebraska, a professional bassoon quartet in my area. With the popularity of my previous bassoon quartet, Maverick Fanfare, I decided to write

In 2006, I was with my friend, Jeffrey Powers, at a regional horn conference. One evening we were out to dinner discussing some of his experiences playing in orchestras abroad. At the end of the

Written in 1983 for Marilyn Mead, who won the International Artist's Competition in New York that year. She was granted a full recital in Carnegie Hall (Stern Auditorium) where it premiered to fine reviews.