With its upbeat nature, this adaptation of a heroic march is a perfect introduction to the music of Josephine Lang and a great selection for any concert program! Adapted for flex band.
Originally composed for piano four hands, this bagatelle is a lovely and playful work that will test any ensemble! Its highly independent lines and individual difficulty make it perfect for any ensemble
Bring a taste of regimental history to your concert and contest programs with this well-orchestrated march, featuring every section of the ensemble with expert precision and skill! Engaging material
With its clever use of rhythmic grooves, driving percussion, and an introductory extended technique for winds and brass, this energetic work proves to be a delightful treat for both ensemble and audience
Presented as a traditional Czech dance, this delightful tune features driving march-style rhythms with plenty of bold flair! It is sure to entertain and will be a wonderful addition to any program. Flex
Bring stately reverence to your festive Halloween concert with this original, New England-inspired hymn - a great respite from livelier tunes, but never losing that spooky edge! Scored for flex
Brilliantly combining satire with pomp and spectacle, Lully's March for the Turkish Ceremony gets new life in this interpretation. Featuring additional percussion, this work is a constant crescendo
Perfect for first-year concerts, this mashup takes three well-known tunes and puts them together into one memorable package! Each section plays the melody and every part has something to offer, keeping
Reflect on our world and our very way of life with this deeply introspective ambient piece. Its spiritual energy is only matched by its profound harmonic resonance and unique ensemble colors. Flexible
One of Edvard Grieg's most classic tunes is now well adapted for the beginning ensemble! This arrangement provides great opportunities for developing critical listening skills between various sections of
Originally composed for piano four hands, this piece takes the ensemble on a slow journey where texture and interest abound! Its harmonies are subtle and varied, and its deliberate pace makes it perfect for
Serving as the capstone for a larger work, this arrangement takes the original and applies it to ensembles at any level. Either on its own or performed after Selections from Das Jahr, this work,