Four centuries of Christmas carols are represented in this handsome collection that is approaching half a century of use with choirs throughout the world. The entire range of choral expression is offered

Sweelinck's 5-voice (SSATB) Epiphany motet Ab Oriente, published in 1619, is a superb example of his polyphonic fluency and of his vivid response to the imagery of the text, depicting the steady, purposeful

This is a striking setting of a poem by Gilbert Keith Chesterton, characterized by antiphonal exchanges between the upper and lower voices, and rich, ever-changing harmonies. Originally published in The Ivy

Incredibly nice! John Rutter's superb talents are evident in this sprightly, uplifting original Christmas carol. Voice ranges are exceptionally good and totally supported by the rhythmic piano or harp

Powerful and rousing, this lilting Christmas anthem perfectly sets the jubilant words with a surprisingly intimate finish. Originally published in A Stanford Anthology.

Archer's innovative setting of this traditional text swings energetically between 7/8 and 6/8, presenting a fresh take on the original tune. Subtly shifting keys and choral textures illumine the verses.

Henry John Gauntlett's familiar carol text gets a fresh contemporary a cappella setting from Latvian composer Jekabsone. Led by alto and baritone soloists throughout, the choir uses background vocables to

This atmospheric setting of words from Shakespeare's As You Like It is sprightly and uplifting, with the singer being asked to perform with "a bit of frost and a knowing smile." Musically it