Colored Stones tells the story of three stones: smoky quartz, lapis lazuli, and tiger's eye. Some cultures and spiritual practices believe these stones have powerful qualities such as the ability
This collection of original duet compositions can be played by two saxophones or two oboes. Written for beginning students, the pieces range from Grade 1 to Grade 3 and cover a variety of different modes in
For Saxophone Ensemble. By Maurice Ravel; arranged by Matthew Morris. Maurice Ravel composed Mother Goose (Ma mere l'oye) as a suite in five movements for piano four hands between 1908-10. In 1911,
The piccolo clarinet in D is the clarinet for which Richard Strauss wrote the main motive of his famous tone poem Till Eulenspiegel, and it also notably appears in the symphonies of Mahler and
This set of variations was written for oboist and friend Lindsey Lyrenmann. They were designed to be a launching point for improvisation during the communion portion of the December 21, 2014 services at
Dr. Hartley composed the Nocturne for Bass Clarinet and Piano in 1998. The work explores the lyric aspects of this unjustly neglected instrument. He has made the piece performable on all bass
In 1950 Hovhaness composed Manko, a suite of fourteen pieces for oboe and bassoon. Ten of these are duets, six of which were published as part of the Suite for Oboe and Bassoon in 1968.
Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal
A dark love poem set against the backdrop of a gloomy autumn day. This lovely college-level work for solo flute with piano explores the full range of the instrument. It maintains a sense of floating
Based on the hymn GOD OF LOVE, this hymn tune adaptation was written for the fantastic flute section during my time teaching at Tabor College. This offering was a featured chamber work on the 2013 spring
Several years ago, my sister told me that she was playing for several church services and was seeking some new pieces for these services. Being one that would almost always take a challenge from my sister,
Nineteenth-Century Czech composer Antonin Dvorak (1841-1904) spent the years 1892-1895 as the director of the National Conservatory in New York City. It was during these years that Dvorak composed his
Written for piccolo virtuoso Christine Erlander Beard, Haven for piccolo and piano was written in response to a difficult time in the performer's life. She expressed that her one escape from her
Elven Forest portrays a calm, shadowed woodland. It represents a breeze blowing through the trees, wildlife slowly and quietly waking, and rustling leaves that let sunlight filter through to the
Expression for Flute is an original concert piece for flute and piano written by Jack Normain Kimmell. This masterful piece evokes a feeling of unease with its use of atonality and
Light through the Darkness is an elementary piece originally written for clarinet and adapted for bassoon. The final entrance of the main theme is an introduction to tenor clef. The piece is
Several of Grundman's chamber music compositions were never published during his lifetime. Among these is the Evening Song for Solo English Horn, published now for the first time. The holograph
Blades of Grass was inspired by the poem Grass by Carl Sandburg (1878-1967):
"Pile the bodies high at Austerliz and Waterloo, Shovel them under and let me work-I am the grass; I cover all.
Blanc dedicated his Romance, Op. 43 (bis) "to His Friends Raoul Triebert and Garigue." The oboist Triebert (1845-1894) was a member of the Triebert dynasty, one of the most important families of
Henderson composed his Four Duets to play with his students. They are a welcome addition to the repertoire, utilizing a twentieth-century harmonic language somewhat reminiscent of the "dissonant
The Pastorale (No. 1), believed to be an original work, was rescored by the composer in a variety of instrumentations. The original version for flute, cello, and piano is the most harmonically complex and
Transcribed by Bruce Gbur.
Vivaldi is usually associated in the minds of concert-goers with instrumental music-the hundreds of concertos and chamber music pieces he composed have cemented that