This set of variations was written for oboist and friend Lindsey Lyrenmann. They were designed to be a launching point for improvisation during the communion portion of the December 21, 2014 services at
Transcribed by Bruce Gbur.
Vivaldi is usually associated in the minds of concert-goers with instrumental music-the hundreds of concertos and chamber music pieces he composed have cemented that
Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal