A charming piece from the children's collection A Trip to the Zoo. A keyboard-accompanied round with original lyrics and four very independent parts. Intended for children's ensembles, performance

The friction between professed ideals and painful reality that Langston Hughes captured in his poem Let America Be America Again is also the foundation of this piece. Emma Lazarus' words, which are

This piece, using text adapted from the Song of Songs 2:11-12, is a song of human love and spiritual devotion. The initial motif appears successively traveling between the chorus, in canon in the piano

Text from a Gaelic prayer is beautifully set in this lyrical concert work. The flowing piano accompaniment and moments of unexpected harmony make this piece engaging yet accessible to high school and

Inspired by the writings of young singers, the text of this original work provides simple yet impactful ways to bring about change in the world. Accessible and lyrical part writing supports the message "If

Flowing, smooth, melodic writing creates an understated elegance which reflects the simplicity of the text. The legato unison line introduced originally is treated in canon in the middle section, and

This lyrical setting of a favorite Irish blessing is very accessible for mixed-voice ensembles. It works well as a benediction or for graduations.

One in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. This choral setting is broad in both scope and tone; the tone painting evokes the

This arrangement for SSAA chorus is from the original set Due West for SATB chorus, which was commissioned by the Vancouver Chamber Choir in 1997. The simple, charming text by Tara Wohlberg is in a

This setting for SSAA chorus is an arrangement from Stephen Chatman's original set, Due West for SATB chorus, commissioned by the Vancouver Chamber Choir in 1997. The charming text by Tara Wohlberg

Written for the Jacksonville Children's Chorus, this SSAA setting of a Sara Teasdale text begins in unison. This verse structure is followed by a refrain and a canon between the two voices on the text, "The

This unique setting pairs the iconic Latin text with a new, original English text which responds to the question: Why do we rejoice and shout our praises to God? The music captures the energy, rhythm, and

A setting of a poem by Nikki Giovanni that focuses on a young person's desire to play first chair. Part of a larger work entitled "Shoe Jazz," this youthful, exuberant, and individualistic piece with a text

With texts taken from the Kokin Wakashu, a collection of Japanese waka poetry compiled from various poets in the early tenth century, these four short songs of spring show the passing of the season from the

This energetic and spirited piece alternates between call-and-response sections and homophonic ones, exhibiting an ABA form overall. It is a great opener to any concert. Composed for the Columbus

"Will we ever reach the horizon? This is not the end, it is just the beginning." Ideal for final concerts and graduation events, this inspiring original work is a sophisticated yet approachable selection

This is one of Clara Schumann's settings of a Heine text set for choral voices in the original key of E-flat major. After the score opens with four full measures of introductory music, chromatic harmony is

The familiar Holst tune is set in 6/8 meter for treble choir. After beginning in unison, subsequent verses add a descant, then a countermelody. A flowing piano accompaniment supports but does not duplicate

Beginning simply with soprano 1 in unison, this setting of the traditional text builds to a gorgeous full four-part contrapuntal Amen. The text then repeats, this time homophonically in four parts, with a