The flowing lines of this short a cappella work are woven into an elegant vocal tapestry that will create an atmosphere of serenity and warmth.
A minimum quantity of 10 is required on this title.
"A sweet, free thought inside my head as I lay down upon my bed, and I think of how the world could be." The text for this piece was written by a former student of the composer. This hopeful and optimistic
Originally written for orchestra at the request of Percy Grainger, this work features a single pitch drone throughout the piece. While the work suggests a distinctive Eastern charm, there is no programmatic
This G. Schirmer arrangement of Mozart's communion motet Ave Verum, for choir and organ accompaniment. A singable English text and the original Latin text are included.
Jointly commissioned by a consortium of choruses to benefit the programs and services of Chorus America, this socially conscience work merges a Christina Rossetti text with words from choir students in
After an opening that evokes a confused and troubled world, this work bursts into a sweeping attempt to drive the world's coldness away in favor of love. Flute part included.
Creating a musical representation of Earth's grand vistas and landscapes, this opens with a quiet delicate theme that is pastoral and reflective. Building to a bold heroic theme, the music then subsides
The cries of the damned open the powerful second movement from the Mozart Requiem. “Day of wrath, day of judgment” makes a dramatic choral statement with a mostly homophonic texture. The piano
This classic Shaw–Parker arrangement of the traditional Catalan dance carol may be performed with piano or a cappella. A truly enjoyable telling of the Christmas story.
This is the third in a series of works by the composer for chorus and marimba. While the others explore virtuostic capabilities or extroverted exuberance, this work is concerned instead with the narrative
This is the G. Schirmer edition that has become part of every musician's experience with Handel's masterwork. A "must" for every library.
Salamone Rossi (1570-1630) was a Jewish musician at the court of Duke Vincenzo Gonzaga and a contemporary of Monteverdi, but his musical style foreshadows the chorale style yet to come. This beautiful
This beautiful piece by Tobin Stokes is loosely based on the five stages of grieving by Elisabeth Kubler-Ross. The first section of the music, set for 6 part treble choir on the text "Hear my prayer, Oh