All three songs from Prayers and Blessings are interconnected motivically, yet distinct in meter, tonality and message. Peace and reverence flow throughout. The version for bass-baritone was
The poetry of Emily Dickinson is especially appealing due to the wide range of topics, diversity of mood, and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous,
The title of the song cycle A World Turned Upside Down comes from an entry in "The Diary of a Young Girl" by Anne Frank, reflecting the sense she felt of her world being upturned when suddenly the
A collection of nine accessible and delightful songs set for medium-low voice and piano. The dates of composition range from 1978 to 2003. Text authors featured in this collection include E.E. Cummings,
Letters from Edna presents eight letters sent by the great American poet Edna St. Vincent Millay to members of her family, friends, and business associates. The letters describe the people Millay
Originally conceived as a set, this collection of songs is based on the writings of Willa Cather and Carl Sandburg. The Sandberg texts are all excerpted from the poem Prairie and fill in the
Emily Dickinson has her tongue firmly in her cheek in these three poems. There is serious purpose under the lyrics, but the surface is pure wordplay. She juggles the terms “forgetting” and
Composed as a wedding gift for friends, Walker chose texts that are mostly 19th-century poems, each exploring love and perpetuity from its own unique lens. Perfect as a set, though each piece works well by
A short song cycle using an unaccompanied solo soprano to vocalize the fanciful and magical poems of E.E. Cummings with glissandi, whistling, ghostly whispered notes and long melismas drawing out the sounds
A collection of four songs for high voice and piano, these 'Wing' songs are inspired by the many characters of birds portrayed in poetry and folksongs. The tiny swallow is a mournful bird, weeping in
"Mother to Son" is based on the powerful poem by Langston Hughes. The mother (voice) is a strong woman, one who has persevered and is still climbing, still surviving: "Well, son, I'll tell you: / Life for
A cycle of songs for mezzo-soprano and piano set on texts by Marilyn Kallet. Also included in Cipullo's collection Songs for Mezzo-Soprano. Titles include: Why I Wear My Hair Long; Saying
This song cycle is, in part, a mediation on what it means to be a mortal being who exists in time. The first and last movements each present a different take on looking back, and the cycle moves backward in
Emily Dickinson's nature–inspired text has sparked the creativity of many song writers. This newly engraved 2020 version of Perera song cycle is available for mezzo-soprano with piano or with
A solo art song for tenor and piano, setting a text of George Eliot. A perfect choice for weddings or celebrations of love. Also included in Cipullo's collection Songs for Tenor, Volume 1.
Renowned pianist, opera coach, conductor, teacher, and writer Kathleen Kelly commissioned composer Juliana Hall to set her poem "Tornado" as an art song, which was premiered by soprano Caitlin Lynch with
Art song composer Juliana Hall wrote this monodrama as a gift for admired English mezzo-soprano Kitty Whately. Godiva is based on the legendary Lady Godiva and sets a libretto by Caitlin Vincent.
From the song cycle The Land of Nod, this stand-out selection makes a fabulous showpiece for mezzo-soprano and piano. Poet Alice Wirth Gray provides a quirky commentary on this fairy tale,
Patti's unexpected and often humorous experiences riding the DART (Dallas Area Rapid Transit) were chronicled online and eventually discovered by the composer. Inspired by Patti's pithy, sarcastic, and
A song cycle from Cipullo's Songs for Baritone, Volume 1. Titles include: Monet's Waterlilies; Hey Nonny No; The Point (Stonington, Connecticut); The Whipping; Those Winter Sundays; Frederick
A solo art song for mezzo-soprano and piano on a poem by John Boyle O'Reilly. Also included in Cipullo's collection Songs for Mezzo-Soprano.
A stand-alone art song for mezzo-soprano and piano on a text by Linda Pastan. Also included in Cipullo's collection Songs for Mezzo-Soprano.
O Mistress Mine follows a narrative arc illuminating the ever-changing nature of love, from the time we first encounter it as youths to our awareness as we age of its many varying qualities.
Comprising six short movements, this setting of Caitlin Vincent's text expresses raw and shifting emotions in a dramatic setting for soprano that allows direct communication from singer to audience without