Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending
This solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an
A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.
Presented in a pastoral setting, the melodic material in these solos is not modified to a large degree, allowing for a solemn and reflective setting to let the message of the hymn come through. A good
Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same. A
This solo begins with a easy lilt underpinned by a gentle accompaniment. Moving into the second section of the piece the tune is embellished in a variation format of chromatic triplets. It repeats
A lively and exciting solo from beginning to end - a brief introduction sets up the flavor for a modified presentation of the tune; after a modulation, the second offering is more sedate and sweet, only to
Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in
This sacred set of solos is presented in a reverent setting for Lent and Holy Week services. The soloist is provided the opportunity for musical expression with a fluid cadenza before the