Originally in a duple meter this arrangement very cleverly is in a 6-8 march style. It progresses in a rather processional manner and then transitions to a slower reflective expression. The piece returns to
After a majestic introduction the piece settles down into a softer and more expressive rendition of the tune "How Great Thou Art." The middle section is a variation of the first section with the melody in
After a brief introduction the tuba solo enters with the theme with a piano line that is rather alla-Baroque. The next section is presented in the piano with warm harmonic movement. The middle section is
An accompanied tuba solo that begins with a gentle piano introduction. The soloist then presents the tune with subtle modifications. The second section progresses with even greater melodic enhancement. With
A tuba solo which begins with a sense of agony in the piano using the tune of "Beneath The Cross Of Jesus." The solo then makes a declamatory statement and then becomes very expressive in a recitative-like
This solo is in a march style throughout. It begins with little fanfare figures in the piano and then as it progress the soloist and piano exchange rolls. The second section is in a variation style while