Alternating between Latin and English text, this rhythmic, celebratory setting is a fantastic opener for women's choirs! Interesting meter changes, a contrasting middle section, and a simple piano

Students will reinforce their sense of rhythm and meter changes in this engaging, celebratory, highly enjoyable piece. With or without the optional percussion, this festive number is the perfect closer for

From Purcell's "Birthday Ode for Queen Mary," which also includes other well-known odes, such as Sound the Trumpet and Strike the Viol, this setting of Come, Ye Sons of Art has

This inspirational original enhances the text by Louise Phillips on the theme that although unexpected events may happen, things can still turn out well. Strong rhythms and a festival feel create a positive

Grandiose and exciting, this festive piece has rhythmic energy in the vocal lines coupled with an active yet supportive piano accompaniment. With a variety of accessible voicings, this piece is fitting for

The strong, driving rhythms and exciting dynamic contrasts of this Latin setting will keep your audience and choir engaged right up to the final vigorous "Hallelujah!" Very catchy, fun to sing and easy to

Reese's a cappella canon, based on a descending D major scale, is fantastic for teaching unison singing, reinforcing part singing, and developing choral tone, all within the framework of conservative ranges

A brilliant, trumpet-like choral fanfare opens this regal work and reappears throughout in response to the softer, contrasting passages. Lots of block chords and a bright tempo help to make this a terrific

Celebrating the gifts of friendship, shared experiences, and joy, this original song is an ideal way to close a concert or service. Incorporating one Latin phrase and one Hebrew phrase into the otherwise

This dynamic work, propelled by its rhythmic force and its contrasting lyric section, is perfect for the young developing ensemble. The syncopated rhythms are sung in ensemble, so that they can be learned

Davison yet again applies his Baroque-like style in this rhythmically charged original that is perfect for developing voices. Altos and basses share a part as do the sopranos and optional tenors, making

This strophic setting, based on an ancient Advent play, depicts each of the three Magi in the bass, baritone and tenor sections, respectively. Effective as a processional, but also successful when performed