This arrangement of the traditional Appalachian folk song is beautifully supported by its piano accompaniment. Perfect for both established and developing tenor-bass choirs, this lyrical selection also

Middle school choral director Melissa Roth Young have captured the spirit of this jaunty sea chantey for TB voices and hammered dulcimer. It is often challenging to find works for less-experienced middle

This lovely work for treble voices and piano is a lyric, fluid rendering of the familiar text from the Book of Hours (1541). Elegantly simple, it offers the opportunity for young choirs to explore tone,

With a simplistic folk-like nature about it, this work for two-part treble voices has some unison sections scattered throughout. The supportive accompaniment and the wonderful text that explores and extols

This familiar Longfellow poem which is often thought of as a Christmas text is set as a resounding prayer for world peace with piano and optional handbells. The composer uses her own alternative text in

With touching lyrics by poets Rupert Brooke and Friedrich Ruckert, this lovely arrangement for treble voices will warm the hearts of all who hear it. The close harmonies and moving piano accompaniment make

The ninth piece in Schumann's Liederalbum für die Jugend, a collection of vocal duets, is scored and edited here for two-part choir. This piece can be performed by treble voices or tenor-bass

Paraphrasing Schubert's Serenade, this work has a lovely texture and the feel and style of a German lied. With some unison sections and a supportive accompaniment, this is a great teaching piece

This arrangement of a simple Flemish Renaissance canon by Clemens non Papa for SSA voices and five handbells - which could be played by the singers - is typical of canons in that it sounds more complex than

The oratorio Rinaldo is set in 1099 during the Crusades. In this piece, the two lovers Rinaldo and Almirena declare their mutual adoration among singing birds and beautiful gardens. Great teaching

Beautiful choral lines wrap around Byron's poem in this lyrical concert work for tenor-bass choirs. Limited ranges on each part and well-constructed arch phrasing give the opportunity to explore sensitive

Based on a haunting English folk ballad, this is a wonderful venture into a cappella singing for middle school and less-experienced high school tenor-bass choirs. The Dorian melody is handed back and forth