A triumphant Mozart masterwork for today's choirs! This joyful opera finale opens and closes with a boisterous choral fanfare that features a brief, expressive vocal duet in the middle. The text is in
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This edition of the well-known choral masterwork from Mozart's "Requiem," now available for mixed, TTBB, and SSAA voices, has become a standard for today's choirs. Patrick Liebergen has re-scored the
The melody has a simple innocence, but the harmony provides great warmth and subtlety in this touching love song by Clara Schumann arranged for choral ensembles. Set in a modified strophic form, the setting
While this piece is a standard in the baritone solo repertoire, this setting has turned it into a wonderful opportunity to explore this classic with your whole tenor-bass ensemble. The early 20th-century
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This excerpt from Vivaldi's "Gloria" is specially arranged to meet the needs of the developing singer. An intelligent choice for teaching phrasing and other stylistic features of the Baroque period, this
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Introduce your choir to Vivaldi's masterwork with this sensibly adapted edition for developing choirs. Conservative ranges and the accessible Latin text give an educationally sound experience with high
Brahms' best songs are small, priceless jewels. They are unusual, mysterious, inventive, bass heavy, uncomplicated, melodious, and they are glorious creations! Op. 63, No. 8 O wusst' ich doch den Weg
This stately and elegant setting of Purcell's masterwork from Birthday Ode for Queen Mary is adapted specifically for developing choirs. With vocal ranges that work well for young singers, the
This invitation for a rendezvous on the sea beneath the stars is colored by a spiraling piano accompaniment and largely homophonic vocal lines. The setting makes the most of Chausson's music in this lovely
Generations of solo singers have cherished this classic German art song, and now your choir can sing it, too! Schubert's original piano part provides the rich chromatic language from which the voice parts
Arranged for tenor-bass ensembles, this important selection from the standard choral repertoire can be experienced and enjoyed by a new audience. True to Pitoni's original, Leavitt preserves the classic
A beautiful adaptation of this Schubert standard! This piece is equally appropriate for concert or worship settings and presents wonderful teaching opportunities for lyrical singing along with an
One of the most recognizable pieces in vocal standard repertoire is brought to the tenor-bass choral world in this new adaptation of an old favorite. The original setting and melody is preserved for
Introduce your tenor-bass ensemble to Baroque style with this powerful chorus from Handel's oratorio Judas Maccabeus. Adapted for just two voice parts, this arrangement preserves much of the
Here is a classic tenor solo aria arranged for developing tenor-bass choirs that is both a wonderful teaching tool for its historical and vocal pedagogical value and an impressive festival or concert
Taken from the oratorio "Christ on the Mount of Olives", this octavo is sure to be a great contest hit for your young tenors and basses. The original German text is given as well as a singable English
Now available in a TTBB voicing, this authentic arrangement of the classic motet gives men's and mixed choirs the opportunity to perform this important piece by one of the most important composers of the
This arrangement of Schubert's charming part song about the little shepherd girl is rewarding to learn and fun to sing. With a helpful phonetic pronunciation guide included, the Italian text is very
This superb edition is given a singable English translation and is suitable for younger tenor and bass voices. The original German text is also included.
Tenor-bass choirs will delight in singing this arrangement of Victoria's beloved motet. This motet is excerpted from his first Pange Lingua and incorporates the original Roman melody, or cantus
Originally written for the dedication of the chapel in the New Cathedral in Linz, Austria, this choral classic is the perfect selection for dedications, graduations, or general concert purposes. While the
Energetic tempo, soaring vocal lines, and unified rhythmic texture create a rousing setting of Schulze's text about Jager (hunters) roaming the forest. The strophic form and straightforward harmony make
Originally sung by a bass soloist in Handel's oratorio "Judas Maccabaeus," Arm, Arm Ye Brave is classic solo repertoire that has been skillfully adapted for tenor-bass choir. The arrangement