Here's a lazy, bluesy treatment of the title song from "Ain't Misbehavin'," the Broadway show that celebrates the immortal music of the great Thomas "Fats" Waller. This is one of the all-time great jazz-show tunes, in a very tasty arrangement! Highly recommended!

It's Glenn Miller and "The Modernaires" revisited! Two of their hit train songs, Chattanooga Choo-Choo (Mack Gordon & Harry Warren) and On the Atchison, Topeka and the Santa Fe (Johnny Mercer & Harry Warren) are combined in this swingin' arrangement. The piano accompaniment and the vocals are easy enough for any choir, small or large, including community choirs. Highly recommended!

Whether or not you are familiar with the musical "Chess," you will want to include this beautiful song from the show in your patriotic repertoire. "I cross over borders but I'm still there now... My land's only borders lie around my heart." As performed by Josh Groban, this inspiring song is simply breathtaking!

The groundbreaking musical "Hair" gave us many hits, including this medley, which was recorded by the vocal group "The Fifth Dimension." This arrangement stays true to its 1960s roots, with a pulsing bass line and easy-singing harmonies. And the "peace and love" lyrics ring as true today as they did during the "Age of Aquarius."

A percussive piano theme underscores this haunting opening number from what many consider to be Sondheim's greatest musical score. An ominous chorus invites listeners to "attend the tale of Sweeney Todd" as they sing the textured lines and ear-gripping sonorities of this theatrical classic. A spine-tingling, blood-curdling thriller for mixed choirs! Highly recommended!

The excitement of this up-tempo samba never lets up! Originally made popular in 1938 by Artie Shaw and his orchestra, it has had many revivals throughout the years. "Even the palms seem to be swaying" as Greg Jasperse's vibrant, rhythmic vocal jazz style envelops Cole Porter's classic. Highly recommended!

Celebrate the 100th anniversary of Leroy Anderson's birth with this pop classic, skillfully arranged for mixed choir with four-hand piano accompaniment. It meshes perfectly with the original orchestral work, so it's the ideal way to feature your combined choral and instrumental ensembles!

This is dynamite! Kirby Shaw's phenomenal arrangement of this Simon and Garfunkel hit ballad is contemporary choral writing at its finest. The light, harmonic a cappella opening is contrasted with this soaring, fresh gospel-style setting. Optional solos showcase special voices. A "must" for show and concert choirs!

This sultry ballad is one of the finest songs by the songwriting team of Johnny Mercer and Harold Arlen. Jay's bluesy arrangement has a supportive piano accompaniment, full, lush chorals and a pull-out-the-stops finish. It's easy to understand why this tune has been so popular with recording artists and jazz musicians over the years. "I'm gonna love you like nobody's loved you, come rain or come shine..."

Among all the wonderful songs by Richard Rodgers, his waltzes hold a special place in the Broadway repertoire. The lyrics of Stephen Sondheim, Lorenz Hart and Oscar Hammerstein II are represented in this delightful four-minute medley of: Do I Hear a Waltz?; Falling in Love with Love; It's a Grand Night for Singing and A Wonderful Guy. High school and community choirs will enjoy the well-crafted vocal lines and buoyant piano accompaniment in this sparkling concert arrangement. Highly recommended!