A festival hymn setting by Jacob B. Weber on the tune O DASS ICH TAUSEND ZUNGEN HATTE (DRETZEL) composed for trumpet and organ or simply organ solo. Practical throughout the year, this arrangement will be
This four-voice canon on the tune Lo, How a Rose is a great piece for opening a concert, or appropriate for putting together a quick piece for Church services.
In 1609, Michael Praetorius harmonized the version of Lo, How a Rose E'er Blooming with which most of us are familiar. His contemporary, Melchior Vulpius, created a four-voice canon on the same
Three familiar carols: O Little Town of Bethlehem (two versions, notated back-to-back); Personent Hodie (On This Day, Earth Shall Ring); and Sing We Now of Christmas (Noel
Four familiar carols and hymns: Good King Wenceslas; Il Est Ne (He is Born); Angels We Have Heard on High and Hark! The Herald Angels Sing for two trumpets, horn in F, trombone,
An excellent original by Lynn Trapp written for John Romeri. The composer offers cut suggestions for use with bridal processions to increase the possibilities for this piece. The music is festive and
This collection of more than thirty "concertato-style" hymn settings for organ and brass is tremendously flexible. The hymn treatments can be adapted to almost any performance situation in accompanying
This is an abridged transcription of the Gloria from John Taverner's 1530 mass, "Western Wynde (Wind)," for flexible brass quartet. Parts are provided for two trumpets (the second is a duplicate of the F
This set of three hymns will appeal to trombone and piano players looking for something unique. With elements of revival style, blues, and 19th-century parlor song, these stylized pieces are deeply
Arranged for large brass ensemble (three B-flat trumpets, two F Horns, three trombones, and tuba), this work has been converted from primarily duple to a mixture of triple and quadruple meters to eliminate
This festive congregational hymn setting is an expanded version of the composer's popular organ setting of the tune LYONS. The piece was originally written to serve as a grand processional piece but can
A late medieval Christmas carol first published in 1582 as a single-line melody with Latin text. This arrangement for brass sextet and organ is animated and exciting, suggestive of the tintinnabulation of
A setting for brass quartet and organ of this classic festive composition.
A Time of Waiting is a collection of four Advent hymns arranged for brass and organ, consisting of "Angelus Emittitur," "Lift Up Your Heads, Ye Mighty Gates" (Truro), "O Come, O Come, Emmanuel"
This Nativity piece composed by Hans Leo Hassler (1564-1612) has been transcribed for brass ensemble with flexible instrumentation - two trumpets, F horn or optional third trumpet, two trombones, and tuba
For this volume of practical and creative hymn settings for trumpet and organ duet, five composers - Marianne Kim, David Lasky, Robert Lau, Brenda Portman, and Nigel Williams - wrote two contrasting