With lots of clapping and other body percussion, this entertaining arrangement of a traditional Venezuelan song is sung in Spanish throughout.

This Pakpaknese folk song from North Sumatra, Indonesia is commonly performed at wedding celebrations, opening ceremonies, and cultural events in the region, often accompanied by traditional dancing. By

This piece is an Indonesian folk song brought to Singapore in the 19th century. Arranged for an advanced SSAA chorus, this up-tempo piece is fun, exciting, and a worthy challenge for your singers.

This song represents Egyptian life at the beginning of the 20th century. This setting uses the original melody created by Egyptian composer Sayyid Darwish but arranges the work for mixed a cappella voices,

With the traditional Latin lyrics "Gloria in excelsis Deo," this setting is anything but traditional. Including some chant as well as stomping and clapping throughout, this almost has the feel of a Maori

From Philippine composer Nilo Alcala, Kaisa isa Niyan is based on a popular children's counting chant from Maguindanao in the southern Philippines. This challenging but playful work employs quick

Opening with a tenor solo, the texture freely unfolds to support the stylistic solo before the rhythmic setting of the lilting traditional Irish folk song begins in earnest. The a cappella setting is

Forming from a single unison pitch, this work builds into five parts of full harmony on the traditional Latin text. The Soprano 1 part opens with the opportunity to feature a soloist, and the gorgeous

This South African song is believed to have originated during the difficult Apartheid years and performed as a peaceful protest song. Tuba is translated as "a dove," and the call and response texture makes

A. R. Rahman is an Indian film composer who wrote this piece for the soundtrack of the documentary film Bose: The Forgotten Hero. A portion of the gross sales are being donated to Mr. Rahman's foundation to