Texas UIL Choral Tenor/Bass Grade 5

Long considered "the" original version of this timeless spiritual. The true authenticity of the African-American musical heritage is captured in this Dawson rendition.

If you are looking for a dramatic concert/festival work, be sure to look at this one! The glory of music is treated with great depth and musical-textual imagery in this deeply moving selection, which offers

This bright and festive a cappella work is set for has become a standard in choral literature for both festival and church choirs. The SSAA and TTBB versions have been adapted by Tim Sarsany.

These intimate and comforting lines of Elizabeth Bishop's sonnet are set to music that is reflective, lush, and lyrical, with the text always foremost. Originally written for SATB chorus, this voicing for

Originally commissioned by the ACDA, Walker's setting of the E.E. Cummings poem has long been popular on the festival circuit for treble and mixed choirs. An additional voicing for tenor-bass choirs is now

Here is a century's old text describing a scene relevant to its period and just as relevant today. The aggressive piano accompaniment combined with an adaptive percussion, which can be executed with the

A carefully edited version of Schubert's lied for tenor-bass choirs, this Shaw–Parker edition features an English text throughout, with the original German text preserved underneath in italics.

Robert Bode's text infuses this original song with a message of music advocacy and appreciation. The rhythmic piano accompaniment sets up a nice groove in the compound meter for the choral parts to stretch