Texas UIL Choral Tenor/Bass Grade 4

Limited ranges, repeated sections, and creative choral arranging ensure success with this Victor Johnson favorite. This longtime bestseller features percussion parts for sticks, shaker, bongo or African

A true classic for tenor-bass choirs, this Shaw–Parker edition features beautiful harmonies in a sensitive setting. Originally arranged for and recorded by the Robert Shaw Chorale, it is an enduring

Attributed to the Franco-Flemish Renaissance composer Jacob Arcadelt, this a cappella work for men's voices will be a joy to rehearse and perform. Not difficult, this is excellent serious literature for

Featuring a tenor soloist in a call-and-response texture on several of the verses, this traditional American sea shanty setting was originally arranged for and recorded by the Robert Shaw Chorale.

Arranged for tenor-bass ensembles, this important selection from the standard choral repertoire can be experienced and enjoyed by a new audience. True to Pitoni's original, Leavitt preserves the classic

This collection offers upbeat and jaunty tunes along with more reflective and flowing songs, all perfect for developing young men's choirs. Tenors will be able to test their range and tone while basses

This powerful, flowing a cappella work in Latin opens with a beautiful unison chant and closes with a quiet "Amen." It is infused with interesting and varied harmonies, changing meter, and dramatic

A cry for peace in a world torn by war, this poignant a cappella setting of an original text is filled with striking dynamic contrasts. "Sing, Be, Live, See... This dark stormy hour, the wind, it stirs. The

Create a moment of reverence and reflection with this English Renaissance anthem, now arranged for men's voices. Ideal for concert and worship. Very accessible and highly recommended!

For tenor-bass choirs, this skillful a cappella setting of a traditional Scottish folk song is an excellent choice for concert and festival use. Thoughtful consideration is given to range and tessitura,

The romantic text of Robert Louis Stevenson's Over the Land Is April is set here for young men's voices. The keys in this a cappella and mostly homophonic arrangement fit both changed and unchanged