Edited by David G. Porter. Preface by J. Peter Burkholder, and performance notes. This version for string quartet probably dates from the first years of the 20th century. This edition is based primarily on
Many of Miguel del Aguila's works reflect on South America and its history. Here he evokes the timbre of the charango, a lute-like Andean stringed instrument that is represented in the piano part. The
William Grant Still's well-known and beloved Caribbean-inspired orchestra composition, arranged for string quartet.