The elegant text by Byron finds a gentle harp accompaniment and lush choral textures in this new setting. Flowing, singable lines and rich harmonies make the piece accessible to choirs and audiences
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This witty setting seeks to answer the age-old question, what shall we do with that drunken sailor, anyway? For unaccompanied divisi chorus - with plenty of rhythmic activity, complementary vocal
Stephen Bock's poignant text asks where a loved one has gone now that death has come. With its rising motives, this setting for unaccompanied mixed divisi chorus and two soloists beautifully captures the
This setting of the beloved poem by Sara Teasdale features wide ranges and soaring vocal lines for your advanced ensemble. Beginning gently, the texture continues to expand to an emotional zenith and ends
The second in this series of carol suites, Suite 2 contains I Heard the Bells on Christmas Day; Carol of the Bells (instrumental); Kling, Glocken, Kling and Ding, Dong, Merrily on
The first of several suites of Christmas carols, Suite 1 contains O Come, All Ye Faithful; Silent Night; Go Tell It on the Mountain and The First Noel. Suitable
A sprightly and refreshing piece, this fits perfectly in any program about spring, nature, or singing itself. It reminds us that, although often overlooked, there were many fine women composers active in
In this nuanced piece for experienced ensembles, the audience is invited to "hear my voice pierce the ceiling of the waves" as expressed by close harmonies and artistic text painting. Taken from the Book of
The original 14th-century plainsong is the point of departure for a fresh, new setting of this Latin text. This gorgeous work is suitable for advanced ensembles in either a secular or sacred
In the SSAA voicing, this piece went viral when the Colorado All-State Treble Choir sang from the balconies in a hotel lobby! This a cappella arrangement of the folk hymn made popular in the movie "O
The words are simple - "They will cry peace where there is no peace" - but the setting of the music is rhythmic and dynamic. The repetitions make sense as the words move on to "joy" and "love," and you
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Dvorak is well known for his folk song settings, but this lullaby is his own tune - and his earthy roots emerge from the melody of this secular part song. A great selection for more advanced ensembles.
This piece is unusual in that the choir is accompanied by a solo cello. Yet, that is precisely part of the piece's charm. The cello is so descriptive, sometimes providing the foundation, other times
William Blake's poem is one that is often analyzed because of the symbolism in his words. In the same way that the sunflower follows in search of the sun, so do we search for meaning in life. The music
The music of Dvorak seems to be gaining in popularity and we are proud to have a Dvorak series in our catalog. The "evening blessing" paints a picture of rural Czechoslovakia, a girl writing love songs, a
This famous Mendelssohn choral piece has been carefully edited, and while it has German text throughout, it also includes an excellent new translation by Joyce Warman. Based on Psalm 78, Mendelssohn's
Commissioned for the 2019 ACDA National Conference, this text by an English poet and soldier in 1920 is set to engaging music that could not be more joyful or more spirited. After a fascinating a cappella
Commissioned by the Westminster Chorus for the 2019 ACDA National Conference, this arrangement for tenor-bass choir is rich and moving. Interweaving lines abound, and within this spiritual setting they add
Written for the University of Kentucky Men's Chorus for the 2018 ACDA Southern Division Conference, this is a striking piece for tenor-base choir. The Latin text from Romans is a vibrant description of
This setting is a stirring rendition of Sara Teasdale's poem. Stunning chords with delicate dissonances emerge in phrase after phrase. The words beautifully share an expression of love that the music
Justin Miller, the amazing conductor of the Westminster Men's Chorus, launches his choral series with this beautiful work by Richard Burchard. This is a complex piece with multiple divisi, two solo parts
From the amazing arranger for Pentatonix comes this creative and satisfying arrangement of the Irish folk song. Using the traditional melody and scored for tenor/bass choir, this work is truly