An accompanied clarinet solo that includes the hymns, Jesus Led Me All The Way, and All the Way My Savior Leads Me. After a brief intro of "All The Way…" the soloist
Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending
A flute solo that begins with Flow Gently Sweet Afton acapella in the lower range of the flute, and is then joined with the piano. It is repeated up the octave with a more involved accompaniment.
This solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an
An unaccompanied saxophone trio (A-A-A/T) begins from the "git-go" with the melody in the first part with parts two and three adding harmonic and rhythmic interest. A brief modulation and interlude leads
Published with multiple woodwind parts for each of the three voices plus piano. The piece begins with a rather traditional solo and then joined by an imitative second part. The piece continues in block
A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.
A woodwind quintet with opt. parts for Alto Sax and Bass Clar. This piece presents itself with a sense of joy throughout with the introduction itself in a motivic manner setting the tone. The melody
A flute quartet which begins with a Q/A format and then breaks into a chordal structure with some gentle modifications. This format continues until it moves into a modulation where the piece once again uses
A woodwind quintet with opt. parts for Alto Sax and Bass Clar. This piece presents itself with a sense of joy throughout with the introduction itself in a motivic manner setting the tone The piece passes
This clarinet solo begins with a flowing piano part and then joined with the solo line in a gently embellished theme. The phrase structure is repeated and then goes into a more vigorous rendition and
Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same. A
A Violin solo stating the melody in a straight forward fashion with an accompaniment that is gentle and constantly moving. The second section presents the thematic material in the piano with a motivic