Childrens Choral Concert Music

An energetic original work with a text from Alejandra Martinez, this two-part treble piece uses both English and Spanish text. Included in the singer's lines are opportunities for rhythmic speech. The piano

With energetic vocal lines, a driving accompaniment, and optional percussion (or body percussion), this piece challenges us to listen to the rhythm all around us. There is rhythm in nature, in our daily

This charming traditional Bikolano song features lyrics in the Bikol language of southern Luzon, Philippines, as well as singable English. Perfect for children's choirs and easily learned, this will be a

This piece can be flexibly performed by any two parts - mixed, or tenor-bass. With a text by Sara Teasdale, the piece features an accompaniment with tone-painting bird calls. Good for choirs looking for a

Written for the 2019 Kodaly National Children's Choir, independent two-part singing will challenge your choirs in this thoughtful song that speaks of life through the metaphor of the sea. The lilting

This setting of the familiar folk song “Three Blind Mice” was written to re-imagine it as a more tender story of mice than the one found in the original, somewhat disturbing, text.  I was

A lovely, very approachable treble choir work for Christmas that uses English and Latin text with piano, flute, and cello accompaniment. Delightful!

This setting combines a piano accompaniment that is almost constantly in motion, driving forward, with a largely homophonic choral setting of the Yeats poem The Wild Swans at Coole to create a

Schubert lied with Heine text arranged for choral voices. True to the original, with German text and English translation given within the score.

Schumann lied arranged for treble choir in German, with the English translation provided in the score.

Schubert lied with text from Muller arranged for treble or tenor-bass choirs. True to the original, with German text and English translation provided in the score.

This a cappella work features two short pieces: In Winter and I Heard a Bird Sing. A challenging soprano solo appears halfway through the first selection, supported by the choir and a

Combining the familiar tune PROSPECT from Walker's Southern Harmony and Wordworth's The Solitary Reaper, this setting for SSAA voices is both beautiful and accessible. Each verse is

Accompanied by trumpet, double bass and piano, this is a jazzy swing setting of the traditional Mother Goose nursery rhyme.

Originally a lute song, this work is inspired by the galliard, a popular dance throughout Europe during the time of Elizabeth I. The text speaks of and celebrates the many virtues and charms of Laura with

This a cappella arrangement of the old English folk song gives all voice parts a chance to shine as the melodic ideas pass through the various parts - sometimes phrase by phrase. Lighthearted and endearing,

Originally a lute song for solo voice and lute, this arrangement using the traditional melody is set much as a madrigal with sections of the piece sung by either a soloist or section. The text tells of the

Using the tune and text "Ridin' in a buggy, Miss Mary Jane, I'm a long way from home" from the old American folk song, this arrangement gives younger choirs the ability to experience the fun and frivolity

Part of the Harmony in Sequence series designed to help develop part singing by improving multiple skills through the choral experience, this work is a fantastic teaching tool for both younger and more

Using one version of the text and adding some elements of the traditional song, this adaptation of the American folk play party song is even more fun in the choral version with changing tempos and unison

This Taiwanese folk song is about the dripping "diu diu" sound that passengers would hear as they rode the old locomotives through the Fulong Old Caoling railway tunnel on their journey to the seaside. The