Sara Teasdale's text is artfully set in for treble choir with a flowing piano accompaniment that brings a dramatic and artistic character to this original work. The texture offers rhythmic variety as the
Schumann's lied about the Sandman who sprinkles sand on the eyes of people to put them to sleep has been artfully adapted for two-part treble choirs with piano. The simple strophic texture is enhanced by
A setting of the text by James Weldon Johnson, this lyrical concert work celebrates the gift of music: "With glad defiance in my throat, I pierce the darkness with a note, and sing."
This lovely work for treble voices and piano is a lyric, fluid rendering of the familiar text from the Book of Hours (1541). Elegantly simple, it offers the opportunity for young choirs to explore tone,
Charles Anthony Silvestri's text is brought to life in this lyrical piece written for treble chorus and piano. This touching piece about finding one's voice through song celebrates finding peace in
This moving selection features a smoothly flowing harmonic texture that courses throughout the piece. Warm and enveloping, The Song You Loved will be the song you love singing, whether it be for
The ninth piece in Schumann's Liederalbum für die Jugend, a collection of vocal duets, is scored and edited here for two-part choir. This piece can be performed by treble voices or tenor-bass
A contemporary setting of a familiar Latin text, this concert work is ideal for your advanced ensemble. Melismatic lines contrast with strong harmonic moments in this Renaissance-style motet.
Beautiful a cappella harmonies paint the picture of the scenic, familiar text from Song of Solomon: "Rise up, my love, my fair one, and come away, for lo, the winter is past, the rain is over and
Commissioned for the Bach Children's Chorus, this setting of inspiring poetry espouses the human connection so essential to us all: "the touch of the hand and the sound of the voice sing on in the soul
Set for either a cappella mixed or treble voices, this work is exhilarating and powerful with a rhythmic drive that is most captivating for both singers and audience.
This work weaves two familiar Welsh folk songs into a charming work for SSAA choir and piano. It moves from simple two-part to three-part and then to a four-part a cappella divisi statement of the beautiful
This work is a choral fanfare brimming with excitement. Written for Elektra, this work uses a short excerpt from Walt Whitman's extended poem Proud Music of the Storm.
This arrangement of a simple Flemish Renaissance canon by Clemens non Papa for SSA voices and five handbells - which could be played by the singers - is typical of canons in that it sounds more complex than
This work, for unison voices, is based on a Salvatore Salerno poem A Plea for the Future. Set to the inspired plea "Please help us make a more loving world," it is accompanied by piano, but parts
Written for a composition competition, this work describes the four voices that shape the course of a day: Aya, the morning voice; Obee, the voice of noon; Oh, the voice of evening; Diya, the night voice.
Using a medieval Latin chant as the foundation, this joyous work is both rhythmic and exciting. Soaring vocal lines, repeated motives, and ostinato-like patterns are just a few of the gems one will find in
This high energy work, set for voices, piano and optional handbells, is full of energy and drive. Centered around the Latin phrase "carpe diem," the words and music combine to urge all to truly "seize the
Paraphrasing Schubert's Serenade, this work has a lovely texture and the feel and style of a German lied. With some unison sections and a supportive accompaniment, this is a great teaching piece
With a simplistic folk-like nature about it, this work for two-part treble voices has some unison sections scattered throughout. The supportive accompaniment and the wonderful text that explores and extols
Looking for an uplifting text that speaks to both harmony and unity between ourselves, others and the world in an accessible choral? Here is an arrangement that does just that. With a driving rhythm
Scored for a cappella voices with C trumpet, this is a jazzy, bluesy reflection upon Dr. Martin Luther King Jr.'s "I Have a Dream" speech, based on the African-American spiritual Steal Away. The
One of Schubert's early works, penned in 1816 while he was only 19, this work hearkens back to an earlier time. The running eighth notes in the piano accompaniment with triadic harmonies in the upper hand